English-Language Scholarship on Studio Ghibli Films: Looking at the Numbers

One of the paradoxes of scholarship in the humanities is that often, some questions that seem straightforward do not actually have simple answers. In fact, even coming up with an answer to some questions may be difficult, if not impossible. For example, it is relatively easy to demonstrate that a particular book or comic or movie is popular – the sales figures and box office numbers may not be immediately accessible, but the numbers do exist. But it is much harder to claim that a particular author – or a particular film – is “the most studied of all time” or something similar. Claims of this kind, applied to many different authors and many different films, are not uncommon – but the casual statements I have often seen, such as that “among the most studied films of the last few decades are those that descend from the mid-century fiction of Philip Dick and his contemporaries“, tend not to be supported in any way. Comparing authors or works based on the amount of critical attention they have received is equally challenging, though not unheard of – see, for example, Powrie, Phil, Thirty years of doctoral theses on French cinema, Studies in French Cinema, 3(3), 199-203, noting, among other things, “the most popular directors studied”. And, of course, studying the relative importance or prominence of actual scholarship is a well-established practice – and identifying the “most frequently cited works” and the “most frequently cited scholars” in particular fields is at the core of formal citation analysis.

Nonetheless, again, while providing an answer to the question of what is the most frequently studied anime ever – or the most frequently studied anime director ever – is impossible, narrowing the scope of the question can lead to interesting, and potentially insightful, results. The role that Hayao Miyazaki and Studio Ghibli have played in introducing Japanese animation to audiences and critics outside Japan, and in legitimizing academic approaches to anime, is easy to acknowledge. And, as it turns out, now that we are looking at something more narrow in scope than “all anime that has ever been written about critically”, we can, in fact, survey and quantify English-language scholarly writing on Hayao Miyazaki and Studio Ghibli. The end result, then, can be an actual illustration to the general discussion on how non-Japanese scholars have approached Miyazaki and his films.

English-Language Scholarship on Studio Ghibli Films: Examining the Numbers

Purpose: To compile and present specific figures on English-language research on the anime feature films of Studio Ghibli.

Scope: These figures are based on materials included in the Annual Bibliography of Anime and Manga Studies – books, chapters in edited essay collections, and articles in peer-reviewed journals and professional magazines. Articles in newspapers and general-interest magazines/websites, as well as blog posts and personal essays are not included, nor are dissertations/theses/papers written for class, or conference presentations, unless specifically published in Proceedings. The materials were identified using keyword searches in library catalogs, major and subject-specific academic databases, and Google Scholar, direct review of the bibliographies/works cited sections of many previously identified works, and in many cases, direct submissions by authors. All of the entries are listed separately in Hayao Miyazaki and Studio Ghibli: A Bibliography.

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Isao Takahata: A Bibliography of English-Language Scholarship

As several sources have reported, Isao Takahata, the co-founder of Studio Ghibli and the director of five Ghibli feature films films, passed away earlier today. Takahata’s output as a creator has always been second to Miyazaki’s. Nonetheless, his work, and in particular, Grave of the Fireflies, also received a significant amount of English-language scholarly attention. And, of course, Takahata’s work has been addressed extensively throughout the more general academic writing on the work of Hayao Miyazaki on on Studio Ghibli.

Isao Takahata (1935-2018): A Bibliography of English-Language Scholarship

Books

Colin Odell & Michelle Le Blanc.
Studio Ghibli: The films of Hayao Miyazaki and Isao Takahata.
Harpenden, UK: Kamera Books (1st ed.: 2009; Revised & Updated Ed.: 2015)

Book Chapters and Journal Articles

“Within Japanese popular culture, manga and anime have played a significant role in mediating responses to the outcome of the Pacific War. Miyazaki Hayao’s (possibly) final feature-length film, The Wind Rises, has been an important addition to the preceding body of popular media ‘texts’ that raise such themes. This article aims to address the question of how far cinematic animation can reasonably be obliged to follow the kinds of historiographical concerns that inevitably arise when engaging with Japan’s militarist past. To answer this question, considerable space is devoted to examining the historical context of what others have done in the post-war period and integrate that commentary into an analysis of how the works of Takahata Isao and Miyazaki Hayao fit amongst a succession of creative works that have been co-opted in the reshaping of historical perceptions of the Japanese at war amongst the Japanese themselves. This will also require some incidental discussion of methodological issues that arise when dealing with such cases as vehicles for understanding transformations in historical consciousness. Ultimately it is argued that Miyazaki does indeed make an important contribution to the commentary on the Japanese war experience, although it must, perhaps unavoidably, be on highly personal terms so far as The Wind Rises is concerned.”

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Resource Review – Database for Animation Studies

Database for Animation Studies - 01A simple and straight-forward question to ask when conducting any kind of academic research is – where do I start looking for materials on my topic? And, a key concept to understand when thinking about the research process is that there is no such thing as single resource that would be an equally effective starting point for any kind of research.  Subject encyclopedias and specialized subject bibliographies, introductory essay collections (these often carry the specific term “Companion” or “Handbook” in the title – as with the examples of the Cambridge Companion to the Graphic Novel and the Routledge Handbook of Japanese Culture and Society) and of course, various general and subject-specific research databases , to say nothing of Google Scholar, may all be useful.

In the past, I have profiled/evaluated one such resource – the Bonn Online Bibliography for Comics Research. And recently, I became aware of another one that – at least initially, looks like it would be perfect for anyone who is looking to begin researching topics related to anime/Japanese animation.

Database for Animation Studies

What does this Database cover? How is it organized? And, most importantly, is it actually useful?

(Note: All of my comments apply to the English version of the Database only)

Profile:

“Launched in 2013, Database for Animation Studies is a part of the project called Mapping Project for Animation Studies held by Japanese Association of Animation Studies. It collects the information of the books and the articles on Animation Studies and share it. By doing it, this website aims to show the map of the landscape of Animation Studies.” Continue reading

The Animation Journal – 25 Years of Contribution to Animation Studies

The establishment of one or more focused academic journals is commonly considered to be one of the major features of academic fields – rather than merely “areas of interest”. In this way, the Journal of Asian Studies “has played a defining role in the field of Asian studies for nearly 70 years”, and Japan Forum, Japanese Studies, and the Journal of Japanese Studies have done for that field.

By the time the Animation Journal was founded in 1991, an extensive body of academic writing on animation had existed already. But that journal’s formal launch in the fall of 1992 can be seen as a major point in the development of animation studies as a field – that is now supported by several other journals, a Society for Animation Studies, an Animation subject area at the Popular Culture Association and American Culture Association’s annual conference, and classes on animation commonly offered by film studies departments/programs. Since that first Fall 1992 issue, it has published over 150 articles on animation – including several on Japanese animation specifically.

But, as per an announcement on the AnimationJournal.com website, the 2017 “Special Issue on Italian Animation” is the journal’s final one – “It will be possible to purchase back issues, but no additional essays will be accepted for publication.” Continue reading

Highlighting New Publications – Undergraduate Scholarship on Anime/Manga

“Any [academic] discipline is first and foremost about the people who practice it” – write Gerardo L. Munck and Richard Snyder in Who publishes in comparative politics?: Studying the world from the United States. There are plenty of examples of studies in different areas/disciplines/fields that examine the characteristics of the authors who are actually working in them – some other typical recent examples are International differences in nursing research, 2005-2009, Quantity and authorship of GIS articles in library and information science literature, 1990-2005, and Taking stock of management education: A comparison of three management journals. And, while these kinds of studies often find that the authors of the articles that they examine differ quite widely in terms of their gender, academic rank, university affiliation, and other similar factors, they also generally demonstrate that the authors who publish in a particular field are overwhelmingly affiliated with academic programs in that field. This makes sense – a history professor or graduate student would publish in a history journal; likewise, the most likely author of an article in the Journal of Japanese Studies or a similar publication would be affiliated with an Asian, East Asian, or Japanese Studies program. But, there simply are no academic departments in the U.S. that specifically focus on anime/manga, and scholars who do publish work on Japanese animation or Japanese comics can be based in many different academic departments. A related issue, of course, is whether a person who wants to publish their academic writing has to even be an academic (i.e., employed as a faculty member) to begin with! Here too, the studies find many differences by discipline: 11% of the authors studied in Who publishes in comparative politics are graduate students, as are approximately 9% of those studied in An examination of author characteristics in national and regional criminology journals, 2009-2010, and 5% in Who publishes in top-tier library science journals?

But, even here, a valid question is whether someone who is interested in anime/manga academically and wants to share their work in a formal setting such as a peer-reviewed journal – but is just an undergraduate – is able to do so. Continue reading

Guest Post – The ‘So Far’ of Anime and Manga

From the editor: One of the major activities that Anime and Manga Studies Projects undertakes is promoting the emerging field of anime and manga studies by highlighting new academic writing on Japanese animation and Japanese comics. The ongoing Bibliography of Anime and Manga Studies is one aspect of this activity, and pieces I post highlighting new books, book chapters, and journal articles are another. Throughout my work, though, I have always wanted to ask the question of how do authors of new scholarship on anime/manga actually view their own research. How did it come about? What are its connections to other scholarship? Where do the authors draw their inspirations from? What do they hope to accomplish?

And, I am now excited to present a new and unique type of article on anime/manga studies – an emerging anime/manga scholar reflecting on their work.

The ‘So Far’ of Anime and Manga: A Visual Theoretical Depiction of Possibilities

Kathy Nguyen is the author of Wired:: Ghosts in the s[hell] (Electronic Journal of Contemporary Japanese Studies) and Body upload 2.0: Downloadable cosmetic [re]birth (Ekphrasis: Images, Cinema, Theory, Media). She is currently pursuing a Ph.D. in multicultural women’s and gender studies at Texas Woman’s University.

Living in an increasingly rapid digital era, where scrolling, tapping, being wired and plugged in may be the few solitary sources for connectivity – that is, if connectivity will eventually become technologized – problematizes several issues once the world becomes updated. I am especially interested in studying about the philosophies of technology; I continuously go back to Wendy Hui Kyong Chun’s book, Updating to Remain the Same: Habitual New Media. Chun writes: “New [technology] live and die by the update: the end of the update, the end of the object” (2). These updates are interesting because if human bodies, animals, objects, and such are constantly being updated and/or upgraded, what does death look like in the digital age, especially when there are apparatuses such as the E-Tomb, where information of the deceased continues to live on? Perhaps eternally – or at least, if the network maintains its connectivity signals. Continue reading

Annual Bibliography of Anime and Manga Studies – 2017 Ed.

end-of-cool-japanThe work that I do to promote anime and manga studies as an academic field and facilitate its growth and development includes several different projects – this site, the Anime and Manga Research Circle Mailing List, convention panels, of course, the Academic Program at Anime Expo. But, the one project that I focus on the most is a comprehensive bibliography of English-language academic publications on anime/manga – the Annual Bibliography of Anime and Manga Studies. Currently, it exists in the form of a set of lists covering such publications going back to 1977 – the year the first article on Japanese comics that I am aware of appeared in an English-language academic journal. My eventual goal is to use these lists to develop a searchable database that would be similar, at least conceptually, to the Bibliography of Asian Studies and the Bonn Online Bibliography for Comics Research – even if significantly more narrow in its scope. But for now, as every new year starts, I begin the process of compiling that year’s annual list.

The tools and techniques that I use remain fairly consistent over the years. On a regular basis, I search general academic databases – Academic One File (Gale), Academic Search Premier (EBSCO), and the ProQuest Research Library, and more specialized ones (some of these include: Bibliography of Asian Studies – already mentioned above, FIAF International Index to Film Periodicals, Film & Television Literature Index, MLA International Bibliography, Performing Arts Periodicals Database, Screen Studies Collection), as well as Google Scholar/Microsoft Academic. I also review the tables of contents of new issues of journals that are likely to publish academic papers on anime/manga, and, not infrequently, have authors alert me to new work that they have published. And, just a few weeks into 2017, I am already able to present this year’s edition of the Annual Bibliography of Anime and Manga Studies – certainly a work in progress, but a start!

English-language books, book chapters, academic journal articles on anime/manga – 2017

[As I mentioned, the entries in this list are limited to academic publications – books, book chapters and journal articles, on anime/manga and related topics. I specifically do not include blog posts or newspaper/magazine pieces. And of course, the decision whether or not a particular publication qualifies for inclusion is subjective. Finally, the date that “counts” for inclusion is the copyright date that actually appears in a book or the cover date of a particular journal issue, not the actual date when the book or issue became available.

This list will be permanently archived in the Bibliographies section of this site, and I will continue to add new items to it as become aware of them.]

Essay Collections

Freedman, Alisa, & Slade, Toby (Eds.), Introducing Japanese popular culture. Abingdon, UK: Routledge.

McLelland, Mark (Ed.). The end of Cool Japan: Ethical, legal, and cultural challenges to Japanese popular culture. Abingdon, UK: Routledge.

Book Chapters

Buljan, Katharine. Spirituality-struck: Anime and religiou-spiritual devotional practices.
In Carole M. Cusack & Pavol Kosnac, Fiction, invention and hyper-reality: From popular culture to religion (pp. 101-118). Abingdon, UK: Routledge.

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Anime/Manga Studies in 2016: The Year in Review

The goal of this site, as I present it, is to “highlight announcements and news, provide commentary on new trends, new issues, and new publications, and develop resources to support the emerging academic field of anime/manga studies”. What this has meant, largely, is that my focus has been on what is happening in anime/manga studies right now – new publications and presentations, new classes and programs – and what will happen in the future. On the other hand, with each year of the retrospective Annual Bibliography of Anime and Manga Studies, I also looked back at how the field looked liked years ago – all the way back to the 1970’s (when, of course, it could not even be said to be one).

One thing I have not done yet, though, is narrow my focus a bit, and survey recent developments in anime/manga studies – a Year in Review, if you will. Tor.com has an Anime Year in Review feature, so do Shelf Life and AnimeCons TV – and so many other sites and personal blogs – so, maybe it’s high time for one too!

Anime/Manga Studies in 2016: The Year in Review

As I have argued consistently, an academic field can be characterized by several different types of activities, all of which can be thought of broadly as forms of knowledge-sharing: publications, conferences/seminars/workshops, and classes. So, the easiest way to look at developments in anime/manga studies in 2016 is by focusing on each of these types:

1. Academic Publications on Anime/Manga: 2016

Manga and Anime Go to HollywoodEasily one of the highlights of the year was the publication of two different books, both from Bloomsbury, by authors who have been involved with Japanese animation and Japanese comics for quite some time now. There are plenty of differences between the two titles, but, also, a perhaps surprising number of similarities. Manga and Anime Go to Hollywood is much more casual in style than Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics, with its extensive charts and tables, footnotes, and ten pages of references. But the authors of both draw quite heavily on the interview as a research method (and on their personal connections with the subjects of their interviews); more importantly, with both of these books, the emphasis is not as much on analyzing the stories or styles of anime/manga as it is on the ways that anime and manga are being presented to audiences outside Japan, and on the structures that have developed over the years to foster this presentation. Compare this to the two books on anime/manga that appeared this year – The Moral Narratives of Hayao Miyazaki – a straight-forward “analysis of the religious, philosophical and ethical implications” of Miyazaki’s films, and Imitation and Creativity in Japanese Arts: From Kishida Ryusei to Miyazaki Hayao, in which the author “demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.”

rewriting-historyThe only essay collection specifically on anime/manga published in 2016 was Rewriting History in Manga: Stories for the Nation. As I wrote when highlighting this volume, an important feature of this book is the key question that its editors ask – “Does manga play a significant role in creating, reproducing and disseminating historical memory or is it only a reflective expression of the past in a rather passive and ‘entertaining’ manner?” This is the question that they invite the authors of the eight individual chapters to consider and work with.

Of course, in addition to these, chapters on topics related to anime/manga also appeared in at least 22 other essay collections. Son of Classics and Comics (Oxford University Press) included “Mecha in Olympus: Shirow Masamune’s Appleseed” and another chapter on “Classical allusions in Fullmetal Alchemist”. “Japanese manga and anime on the Asia-Pacific War experience” was one of the chapters in Divided Lenses: Screen Memories of War in East Asia (University of Hawaii Press). The editors of the Cambridge History of Japanese Literature felt it was important for the book to cover “The emergence of girls’ manga and girls’ culture”. And even a specialized volume where one really would not have any reason to come across mentions of anime/manga – Creativity and Community among Autism-Spectrum Youth: Creating Positive Social Updrafts through Play and Performance (Palgrave Macmillan) can be counted among the 22, since one of its chapters is The collaborative online anime community as a positive social updraft.

Finally, there were at least 80 articles on anime/manga published in 2016 in academic journals – as always, this is simply the number of articles that I have located so far, and it may increase. The 80 (including 2 in Japanese and 1 in Spanish with English-language titles and abstracts) were spread across 49 different journals; 11 journals (22%) published at least two articles, but 38 more (78%) only had a single one. In terms of the individual articles, the 11 journals – again, 22% – accounted for 42 articles – 52.5% of articles. Clearly, the standard – or maybe stereotypical 80/20 “rule” does not seem to apply to publication patterns in anime/manga studies the top 20% of journals account for significantly less than 80% of all articles. The implication here is that to get a more through idea of what is being published in English on anime/manga, scholars must be aware of – and must have access to – a wide range of sources.

So, which journals published more than one article on anime/manga in 2016?

The Phoenix Papers: An Interdisciplinary Journal of Fandom and Neomedia Studies: 10 articles
Kritika Kultura: 6 articles, in a Manga Culture and Critique special section
Animation: An Interdisciplinary Journal: 4
International Journal of Comic Art: 4
International Journal of Contents Tourism: 3
Journal of Kyoto Seika University: 3
Journal of Popular Culture: 2
Mutual Images: 2
Ekphrasis: Images, Cinema, Theory, Media: 2
Japan Forum: 2
TranscUlturAl: A Journal of Translation and Cultural Studies: 2

It is particularly interesting to note that of these 11 journals, only 3 (Animation, Journal of Popular Culture, and Japan Forum) are “traditional” – that is, published by a major corporate publisher. The others are all published by independent organizations or directly by colleges/universities. 7 are based outside the U.S.

But, what about the other 38 ? Some of them – East Asian Journal of Popular Culture, Journal of Fandom Studies, Journal of Graphic Novels and Comics, Journal of Japanese and Korean Cinema, The Comics Grid: Journal of Comics Scholarship – are perhaps “expected” venues for scholarly writing on Japanese animation and Japanese comics. But, articles on anime/manga and related topics also appeared in journals such as the Asia Pacific Journal of Education, Communication, Culture & Critique, the Journal of Business Strategy, and Society & Animals – really, again, supporting the statement that as a field, anime and manga studies can be characterized as relatively broad, with articles appearing in a wide range of different journals rather than being concentrated in only a few.

[Ed. note: For a full list of articles published in English-language scholarly/academic journals in 2016, organized by journal/publisher, please feel free to contact me directly.]

Of course, one more question to ask here is – how d0 the 2016 figures compare to previous years? Do they fit into any kind of trend – or to the extent that there even is one, deviate from it? The 80 articles are a slight decrease from the previous year’s 90, but the caveat here is that I may simply have missed some that were in fact published in 2016, but will likely add them to the list as I do come across them. Overall, starting in 2005, the number of academic articles on anime/manga published each year has gone up or at least stayed stable – with one exception in 2012, when it decreased by about 25% – though the number rebounded the next year.

Overall, then, at least as far as publications are concerned, 2016 was clearly a strong year for the field!

(One aside here is that 2016 was the first year since 2006 without a new volume in the Mechademia series of annual essay collections on “anime, manga, and the fan arts”. Although there have been some rumors about plans for a “New Series”, I have not seen any concrete information about it.)

2. Academic Events

MechademiaScholars of anime/manga who were interested in presenting their work at conferences throughout 2016 certainly did not lack for options. The International Communication Association’s annual conference, hosted by Waseda University (Tokyo) featured a special pre-conference program entitled Communicating with Cool Japan: New International Perspectives on Japanese Popular Culture, with papers such as “Sexy Mulattas and Amelias: An Intersectional Analysis of Representations of Brazilian Women in Anime”, “Classically J-Pop: When Classical Music and J-Pop Collide in Music for Anime”, and “Moon Prism Power! Censorship as Adaptation in the Case of Sailor Moon”. The Schoolgirls and Mobilesuits event, originally held at the Minneapolis College of Art & Design, also returned to Japan, with Conflicts of Interest in Anime, Manga, and Gaming. And Anime Expo, in Los Angeles, again included an Academic Program, which I developed and managed along with Brent Allison.

3. Classes

Just some of the classes specifically on anime/manga that colleges offered in 2016 included:

“Modern Japanese Literature and Manga in Translation” – Carleton College

“Anime and War” – Chapman University

“Girls’ Manga: Gender/Sexuality in Japan through Popular Culture” – Macalester College

“Modern Japanese in Translation” – Queens College

“The Fantastical World of Japanese Anime” – University at Buffalo (SUNY)

“Ecology, Technology and Anime” – University of California, Davis

“Anime” – Ursinus College

Particularly worth noting was Introduction to Anime and Manga Studies (George Mason University) – the first class I have seen to specifically focus on the different ways to approach anime and manga critically, rather than picking a single particular way.

Conclusion: Anime and manga studies is still a very young academic field – and one that is connected inherently and unavoidably to the overall popularity of Japanese comics and animation outside Japan. But, at least so far, it is still very much expanding, and clearly offers a wide range of opportunities to scholars – and really, to anyone who is interested in academic approaches to anime and manga.

New Special Issue – TranscUlturAl: A J. of Translation and Cultural Studies

As I’ve noted a number of times, some academic journals certainly seem to be “more welcoming” to publications on anime/manga than others. 78 articles on anime/manga that have been published since 1993 appeared in the International Journal of Comic Art, 22 in Animation: An Interdisciplinary Journal, 19 in Japan Forum, 15 in the Journal of Popular Culture, and so on. But, overall, more than 460 individual journals have now published an article on anime/manga – and a majority of them only published one or two. This means that as I track publication trends in anime/manga studies, I am constantly discovering not just new articles, but new journals that I have never come across before.

One such journal is open-access TranscUlturAl: A Journal of Translation and Cultural Studies, which publishes “essays, translations and creative pieces that explore interrelationships between translations and cultures, past and present, in global and local contexts.” Its latest issue focuses specifically on “translation and comics”, and contains two articles on manga – as follows, with my thoughts/comments.

Fabbretti, Matteo. The use of translation notes in manga scanlation. TranscUlturAl: A Journal of Translation and Cultural Studies, 8(2), 86-104.

Abstract:

“This article investigates the use of translation notes to deal with translation problems. In Translation Studies, the presence of translation notes in a translation is considered particularly significant because they clearly indicate what features of the source text the translator considered important for the comprehension of the text and therefore necessary to retain or explain. In the field of comics in translation, the use of T/N is rather uncommon, and can be considered the main translation strategy that distinguishes scanlation from other types of translations.

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New Special Issue – The Journal of Popular Culture

Fred Schodt’s 1983 Manga! Manga!: The World of Japanese Comics is rightly recognized as the first in-depth English-language survey of its subject. But, already, Western scholars were also paying attention to Japanese comics – first, in 1977, with “Contemporary Japanese youth: Mass media communication” (in Youth & Society, 8:4), and then, two years later, with Salaryman comics in Japan: Images of self-perception, in the Journal of Popular Culture. And, in the more than thirty years now that have passed since that article appeared – and as anime and manga studies has developed into a defined academic field, this journal has continued welcoming articles on Japanese animation and Japanese comics. At least 14 more have appeared in it through the end of last year, with one more (which I already discussed) in February. And now, the journal’s latest issue has a specific focus on “Asian popular culture” – which, as the issue’s editors note, is “an umbrella term for the study of various facets of culture (such as film, television, literature, music, animation, social media, digital media, advertising) across Asia using a range of methodologies and approaches”.

[Ed. note: Here, it would be interesting to also consider how other editors have presented the same term. The editors of Asian Popular Culture: New, Hybrid, and Alternate Media (Lexington Books, 2013) do not see any need to it to be any more complicated than simply referring to “popular culture practices in Asia”. On the other hand, in the introduction to Asian Popular Culture: The Global (Dis)continutity (Routledge, 2013), Anthony Y.H. Fung states that “this book does not present a definition of Asian popular culture – which may practically be unfeasible owing to the diversity of Asian cultural products – but presents the readers cases of highly popular Asian pop imaginaries that can be connected to the discourse of globalization and under the theme of the global (dis)continuity of the political economy.]

Anime/manga and Chinese cinema are certainly the two components of it that are the most prominent in “popular and critical imagination”, but, again, studying Asian popular culture needs to consider not only particular types/modes/facets of popular culture, but also factors and features such as adaptations from one to another – and the ways popular culture moves both within Asian, and from Asia to the rest of the world. Two of the essays in the issue deal with aspects of these issues specifically with regard to anime/manga.

Karatsu, Rie. Female voice and Occidentalism in Mika Nakagawa’s Helter Skelter (2012): Adapting Kyoko Akazaki to the screen. The Journal of Popular Culture, 49(5), 967-983.

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