Editor: Melinda Beasi
Publisher: Dark Horse Comics (Milwaukee, OR)
ISBN: 1616552786 / 9781616552787
U.S. comics companies first began publishing translated versions of Japanese comics (manga) in the late 1980’s. Since then, the manga market has evolved, reached amazing heights (in the spring of 2007, a volume of Fruits Basket rose to the no. 15 spot on the weekly USA Today list of the nation’s top 150 best-selling books), contracted – and, for the last several years, has been on an upswing again. Manga volumes hold five places in the latest ranking of the top twenty graphic novels of all types sold in the U.S., as compiled by Nielsen BookScan and reported by ICv2.com. When, earlier this year, the Young Adult Library Services Association announced its annual Great Graphic Novels for Teens list, manga – Japanese comics – accounted for 15 titles on the list, out of a total of 112. And, as Danielle Rich demonstrates in The institutionalization of Japanese comics in US public libraries (2000-2010), and Glenn Masuchika and Gail Boldt do in Japanese manga in translation and American graphic novels: A preliminary examination of the collections in 44 academic libraries, both public and academic libraries have very much embraced manga.
Of course, while many librarians are already familiar with manga, many are still not. So, what kinds of sources can they draw on to get a basic understanding of what exactly the term encompasses, what are some of its particular features, and how manga differ from American comics. At the height of the “manga boom” – ten years ago now, the specialized publisher Libraries Unlimited met this information need with Graphic Novels: A Genre Guide to Comic Books, Manga, and More and Understanding Manga and Anime, a pair of fairly comprehensive reference volumes designed specifically for librarians. But, while certainly useful, both are now rather dated. Plus of course, both of them may simply cover more ground than a librarian interested only in manga would need. Another option is to consider any one of the edited essay collections on manga that have appeared in recent years, such as Japanese Visual Culture: Explorations in the World of Manga and Anime, Mangatopia: Essays on Manga and Anme in the Modern World, and Manga: An Anthology of Global and Cultural Perspectives. Again, though, an academic essay that is a close reading of the work of a particular manga artist or a study of particular themes across several manga may not really be of any use to a reference librarian or to one working in collection development. Finally, librarians who work with manga have published quite a few case studies in professional magazines, but as with any case study, these focus on activities that took place in particular, specific environments, and may not necessarily yield themselves to replication in other settings.
So, what may be useful for librarians – in addition to all of these kinds of materials – is a relatively concise introduction to Japanese comics that would also be written specifically for a librarian audience. And, as it turns out, Manga: Introduction, Challenges, and Best Practices, published by Dark Horse Comics, itself a leading English-language publisher of Japanese comics, with financial support provided by the Comics Book Legal Defense Fund, “a non-profit organization dedicated to protecting the First Amendment rights of the comics medium”, and drawing on the expertise of a group of journalists, librarians, and manga industry professionals, is exactly this kind of book.